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By Edward Dmytryk Routledge 156 pages | 40 B/W Illus. Paperback: 9781138584273 pub: 2018-10-06

Table of Contents

Edward Dmytryk: A Short Biography Introduction by Joe McElhaney

1. The Collective Noun


2. The Indispensible Viewer


3. You’d Better Believe It


4. The Power of the Set-Up


5. Invisibility


6. Moving and Molding


7. Look at Him, Look at Her


8. The Art of Separation


9. Rules and Rule Breaking


10. The Modification of the Reality


11. Symbols, Metaphors, and Messages


12. Auteurs, Actors, and Metaphors


13. Time and Illusion


14. The Force of Filmic Reality


15. About a Forgotten Art

Postscript Filmography of Edward Dmytryk Index

About the Authors

Edward Dmytryk (1908-1999) was an Oscar-nominated American filmmaker, educator, and writer. Over an acclaimed forty-year filmmaking career, Dmytryk directed over fifty award-winning films, including Crossfire (1947), The Caine Mutiny (1954), Raintree County (1957), and The Young Lions (1958). Entering academic in the 1970s, Dmytryk lectured on both film and directing, first at the University of Texas at Austin and later at the University of Southern California. He is the author of several classic books on the art of filmmaking, including On Film Editing, On Screen Directing, On Screen Writing, On Screen Acting, and Cinema: Concept & Practice, all published by Focal Press/Routledge. Joe McElhaney (contributor) is the author of The Death of Classical Cinema: Hitchcock, Lang, Minnelli (2006) and Albert Maysles (2009), and the editor of Vincente Minnelli: The Art of Entertainment (2009) and A Companion to Fritz Lang (2015). His numerous publications in major film journals and edited volumes include essays on the work of Howard Hawks, Preston Sturges, Roman Polanski, Chris Marker, and R.W. Fassbinder. He is Professor of Film Studies at Hunter College of the City University of New York.