Creating a Scene with Shadows with Peter Stein, ASC
Learn best practices for creating drama with shadows.
Advanced Cinematography Workshop
Saturday, June 22, 2013 | 1:00pm-5:00pm
Manhattan, New York City
What You Will Learn:
Discussion and Analysis: Shadows are particularly effective in creating drama. Many films live in darkness. We will look at various films that use this device and talk about the placement of shadows and how to use them most effectively.
Exercise: Then, using the students as crew, we will demonstrate how to light a scene with sharp shadows, creating a noir mood. After that we will create a shadow of an opening door and work outward from that, building a shadowy scene.
Who Should Attend:
All levels of filmmakers, videographers, cinematographers, camera operators, directors, producers, content creators, convergence shooters, journalists, and all other crew positions. The workshop is designed for students and professionals.
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Peter Stein, ASC has worked on over 50 feature films, TV movies, and documentaries. Peter Stein, ASC has photographed classic cult films in various genres, including comedy and horror, as well as major studio and independent releases, and noted documentaries.
One of his first feature films as a Director of Photography was the horror film classic Friday the 13th Part 2, the second largest grossing film in 1981 for Paramount. He then went on to shoot the literary comedy Reuben, Reuben for 20th Century Fox, which was nominated for two Academy Awards: Best Actor, Tom Conti, and Best Screenplay, Julis Epstein (Casablanca), and was the film debut of the actress Kelly McGillis.
Among other horror genre films he shot are Stephen King's blockbuster hit Pet Sematary, C.H.U.D. and Steven King's Graveyard Shift. He was the DP on two of Touchstone's children's movies, Ernest Saves Christmas and Ernest Goes to Jail and New Line's hit children's comedy Mr. Nanny starring Hulk Hogan and Sherman Helmsley. Among other films he shot are Paramount's football comedy Necessary Roughness with Scott Bakula, Robert Loggia and Kathy Ireland, and Orion's A Great Wall, directed by Peter Wang, the first Chinese/American co-production.
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